The Invisible Sphere
Augustiner Chorherrenstift Monastery
Kultur.Konvent.Öhningen
Bodensee, 7-17 August 2025

The Invisible Sphere is a body of work initiated from a residential period at Augustiner Chorherrenstift Monastery in Bodensee, where a group of international artists were invited to research and develop a work responding to Hildegard von Bingen’s Ordo Virtutum — an allegorical morality play composed circa 1151, in which virtues and the devil are depicted in their wrestle for a single soul. What emerged from this period was an interdisciplinary performance in themes of identity, renunciation and rebellion: expressing an interpretation of Hildegard’s life-work through movement, sound, poetry, film and photography.

Imogen returns to the monastery one year on, to present works developed and continued since. Her installation spans four interconnecting cloister rooms, featuring fourteen handprinted photographs, a Lomokino film projection, as well as sculptural pieces involving books, papers, silks, poetry, and natural materials gathered from the immanence of the monastery locale. The exhibition was accompanied by a series of performative readings in the church, in collaboration with organist and electronic musician Vveber.

Hildegard von Bingen was a radical artist and visionary, who explored far beyond the usual limitations of spirituality, art and imagination — and whose works still today transport the mind toward places and forms that challenge and inspire our ever evolving relationship with the supernatural. Grappling with conflict, disobedience, madness, and the erotic — themes so intrinsically associated with religious experience, yet so rarely permitted to be explicitly depicted or engaged — this project is an adventurous and contemporary interpretation of feminist theological history and iconography.

The Invisible Sphere is supported by Kultur.Konvent.Öhningen, project for the cultural revitalisation of the former Augustinian Canons' Monastery in Öhningen, Germany. The installation ran for ten days alongside the classical music festival Höri Musiktage. Developed in close collaboration with the artists Britt Angus, Tanit Graffelman Brucart, Alexander Weber, Wolke Milena Wilke. With silk pieces by Gemme Atelier.

And yet
with it all
we seem to have cast ourselves far
out of reach
unable to articulate
a simple response
to our most intimate
questions
questions
that address this rippling
struggling texture
the coarseness and the drowsiness
the incessant pulsation and vibration
of the organ
fleshy and palpable
garment of our design
the whirring and the hissing
the flourishing of the mind
a rudder in the weeds
churning the lake
throwing into
discord the most subtle rhythms
gestures
of pine cones forming
the crackling of each little spire
unfurling
into the strengthened airs.